| 研究 | 出版 Publications 2025 〈街頭攝影的漫遊者——許蒼澤攝 〉， 《臺灣攝影家系列叢書：許蒼澤》，臺灣攝影文化中心（預定2025年出版）
2024 〈從《新自由神像》到《源》：解嚴後高雄雕塑公共性的空缺與追尋〉，《變動的界域：解嚴後臺灣雕塑專題研究 I》論文集。（預定2024下半年出版）
2023 Nov 〈隱諱的批判：從「手完成的話——時局下的李石樵人物畫」特展論李石樵寫實群像研究的現況〉，《臺灣美術》126期，頁150-157，國立臺灣美術館。
“Covert Critiques: A Discussion of the Scholarship on Lee Shih-chiao’s Realist Group Portraits in Response to the Exhibition “The Unfinished Words” at the National 228 Memorial Museum,” Journal of National Taiwan Museum of Fine Arts Vol. 126., 150-157.
2022 Sept. “Globalism and Identity in Taiwanese Contemporary Art, 1978-2009,” Ph.D. dissertation, Art History Program, The Graduate Center of The City University of New York.
2022 April 顏娟英、蔡家丘、黃琪惠、楊淳嫻、魏竹君等著，《臺灣美術兩百年（上）：摩登時代》和《臺灣美術兩百年（下）：島嶼呼喚》，台北市：春山出版社，2022。
Chuan-Ying Yen, Chia-Chiu Tsai, Chi-Hui Huang, Chun-Hsien Yang, Chu-Chiun Wei, et al., Two Centuries of Taiwanese Fine Arts (Taipei, Taiwan: SpringHill, 2022).
＊獲第47屆金鼎獎 Best Non-fiction of the 47th Golden Tripod Award for Publication 2018 March “The Aesthetics of the Multitude in Chen Chieh-Jen’s Lingchi: Echoes of a Historical Photograph (2002) – A Genealogy.” Journal of Chinese Contemporary Art 5(1):61-76.
2014 December “Dangdai: Periodization and Multiple Temporalities in Taiwanese Contemporary Art.” Proceedings of the International Conference on Jie (Boundaries): Contemporary Art from Taiwan at Herbert F. Johnson Museum of Fine Art, September 6th 2014 (Taichung, Taiwan: National Taiwan Museum of Fine Arts, 2014).
2013 July “From National Art to Critical Globalism: The Politics and Curatorial Strategies of the Taiwan Pavilion at the Venice Biennale.” Third Text 27 no.4: 470-484. 研討會論文 Conference Papers 2022 March 24-27 “Healing the Collective Wounds: Shamanism and Dondon Hounwm’s Art,” 2022 AAS The Association for Asian Studies Annual Conference, Honolulu, Hawai’i & Online.
2019 Feb. 13-16 “Hospitality and Cosmopolitanism in Lee Mingwei’s Art,” 2019 Annual Conference of College Art Association, New York City, New York, USA
2018 Oct. 25-27 “Art as Hospitality and Cosmopolitan Imagination: Lee Mingwei’s Participatory Art,” NORDIK XII – The 12th Triennial Conference of Nordic Association for Art Historians, University of Copenhagen, Demark.
2017 March 25-26 “Tehching Hsieh: Becoming-Exile,” 1st Annual Conference of Taiwan Art History Association, National Taiwan University of Arts, New Taipei City, Taiwan
2014 September “Dangdai: Periodization and Multiple Temporalities in Taiwanese Contemporary Art,” Symposium coinciding with the opening of the exhibition “Jie (Boundaries): Contemporary Art from Taiwan,” Herbert F. Johnson Museum of Fine Art, Cornell University, Ithaca, NY, USA
2012 June 8-9 “Reenacting the Imprisoned Body: Tehching Hsieh’s One Year Performance: Cage Piece (1978-1979) and Taiwan’s Martial Law Era,” The 18th Annual Conference of North American Taiwan Studies Association, Indiana University-Bloomington Maurer School of Law, IN, USA
2012 September 10-14 “The Politics of the Biennial: from National Art to Globalism, Curatorial Strategies of the Taiwan Pavilion at the Venice Biennale and the Taipei Biennial,” Session: Globalization and Asian Art, Art Criticism and the Forces of Globalization, Liverpool, Winchester School of Art and Tate Liverpool, UK
2012 October 17-20 “Restaging the Avant-Garde: Subjektive Photography, 1951-1958,” Session: German Art since 1945 in Context, The 68th Annual Southeastern College Art Conference, Meredith College, Durham, North Carolina, USA
2012 November 16-17 “Contextualizing the Performance art of Tehching Hsieh and Chen Chieh-Jen in Taiwan’s Martial Law Era,” (In)appropriated Bodies, Cornell University Annual History of Art Graduate Student Symposium, Ithaca, NY, USA |
