{"id":17570,"date":"2025-07-30T15:55:23","date_gmt":"2025-07-30T07:55:23","guid":{"rendered":"https:\/\/www.art.ntnu.edu.tw\/?page_id=17570"},"modified":"2025-10-01T09:44:20","modified_gmt":"2025-10-01T01:44:20","slug":"chaokoching","status":"publish","type":"page","link":"https:\/\/www.art.ntnu.edu.tw\/index.php\/chaokoching\/","title":{"rendered":"\u8d99\u53ef\u537f\u52a9\u7406\u6559\u6388\u5b78\u7d93\u6b77\u8cc7\u6599"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"17570\" class=\"elementor elementor-17570\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-36ad67b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"36ad67b\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7392204\" data-id=\"7392204\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ffa275f elementor-widget elementor-widget-text-editor\" data-id=\"ffa275f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<table width=\"709\"><tbody><tr><td width=\"123\"><span style=\"color: #000000;\">\u59d3\u540d<\/span><\/td><td width=\"369\"><span style=\"color: #000000;\">\u8d99\u53ef\u537f<\/span><\/td><td rowspan=\"6\" width=\"217\">\u00a0<\/td><\/tr><tr><td width=\"123\"><span style=\"color: #000000;\">\u8077\u7b49<\/span><\/td><td width=\"369\"><span style=\"color: #000000;\">\u52a9\u7406\u6559\u6388<\/span><\/td><\/tr><tr><td width=\"123\"><span style=\"color: #000000;\">\u6700\u9ad8\u5b78\u6b77<\/span><\/td><td width=\"369\"><p><span style=\"color: #000000;\">\u82f1\u570b\u7d04\u514b\u5927\u5b78\u85dd\u8853\u53f2\u5b78\u7cfb\u535a\u58eb<\/span><\/p><p><span style=\"color: #000000;\">Ph.D., Art History,\u00a0 University of York<\/span><\/p><\/td><\/tr><tr><td width=\"123\"><span style=\"color: #000000;\">\u7814\u7a76\u5c08\u9577<\/span><\/td><td width=\"369\"><p><span style=\"color: #000000;\">\u897f\u6d0b\u85dd\u8853\u53f2\u8207\u7406\u8ad6\u3001\u897f\u6d0b\u5efa\u7bc9\u53f2\u8207\u7406\u8ad6\u3001\u85dd\u8853\u8207\u793e\u6703<\/span><\/p><\/td><\/tr><tr><td width=\"123\"><span style=\"color: #000000;\">\u96fb\u8a71<\/span><\/td><td width=\"369\"><span style=\"color: #000000;\">02-7749-3036<\/span><\/td><\/tr><tr><td width=\"123\"><span style=\"color: #000000;\">Email<\/span><\/td><td width=\"369\"><span style=\"color: #000000;\">koching.chao@ntnu.edu.tw<\/span><\/td><\/tr><tr><td width=\"123\"><span style=\"color: #000000;\">\u7814\u7a76<\/span><\/td><td colspan=\"2\" width=\"586\"><p><span style=\"color: #000000;\"><strong>\u671f\u520a\u8ad6\u6587<\/strong><\/span><br \/><span style=\"color: #000000;\">1. \u570b\u969b\u671f\u520a<\/span><br \/><span style=\"color: #000000;\">(1) \u201cThe Castellated Fa\u00e7ade of Montepulciano\u2019s Palazzo Comunale, 1440: An Image of Florentine Territorial Hegemony,\u201d Architectural History, Vol. 66 (2023): 1-20. (A&amp;HCI, \u528d\u6a4b\u5927\u5b78\u51fa\u7248\u793e\u6838\u5fc3\u671f\u520aCambridge Core)<\/span><br \/><span style=\"color: #000000;\">(2) \u201cValdichiana and the Rise of Florence in the Late Fourteenth and Early Fifteenth Centuries: A Road to Rome, A Road to Territorial Power,\u201d Concentric: Literary and Cultural Studies, 48.2 (2022): 21-45. (A&amp;HCI, THCI Core)<\/span><\/p><p><span style=\"color: #000000;\">2. \u570b\u5167\u671f\u520a<\/span><br \/><span style=\"color: #000000;\">(1) \u3008\u4eba\u9ad4\u8207\u69cb\u7bc9\uff1a\u5341\u4e94\u4e16\u7d00\u7fa9\u5927\u5229\u6587\u85dd\u5fa9\u8208\u8ecd\u4e8b\u5efa\u7bc9\u7684\u7406\u60f3\u8207\u6cd5\u5247\u3009\uff0c\u300a\u570b\u7acb\u653f\u6cbb\u5927\u5b78\u6b77\u53f2\u5b78\u5831\u300b\uff0c 59 (2023):121-164. (THCI Core)<\/span><\/p><p><span style=\"color: #000000;\">(\u4e8c) \u7814\u8a0e\u6703\u8ad6\u6587<\/span><br \/><span style=\"color: #000000;\">1. \u570b\u969b\u7814\u8a0e\u6703<\/span><br \/><span style=\"color: #000000;\">(1) \u201cReframing Urban Inclusion through Social Segregation in Early Modern Society,\u201d\u7b2c18\u5c46\u53f0\u7063\u897f\u6d0b\u53e4\u5178\u3001\u4e2d\u4e16\u7d00\u66a8\u6587\u85dd\u5fa9\u8208\u5b78\u6703\uff08TACMRS\uff09\uff0c2024\u5e7410\u6708\u3002<\/span><br \/><span style=\"color: #000000;\">(2) \u201cImperfect perfection: the making of Renaissance ideal architecture,\u201d \u7b2c17\u5c46\u53f0\u7063\u897f\u6d0b\u53e4\u5178\u3001\u4e2d\u4e16\u7d00\u66a8\u6587\u85dd\u5fa9\u8208\u5b78\u6703\uff08TACMRS\uff09\uff0c2023\u5e7410\u6708\u3002<\/span><br \/><span style=\"color: #000000;\">(3) \u201cAdopting Historic Buildings for Urban Inclusiveness: A UK-Taiwan Comparison,\u201d RTU 64TH International Scientific Conference. Section Architecture and Urban Planning, 2023.<\/span><br \/><span style=\"color: #000000;\">(4) \u201cProbing the Theatrical Agency of Renaissance Domestic Panel Narratives,\u201d \u7b2c16\u5c46\u53f0\u7063\u897f\u6d0b\u53e4\u5178\u3001\u4e2d\u4e16\u7d00\u66a8\u6587\u85dd\u5fa9\u8208\u5b78\u6703\uff08TACMRS\uff09\uff0c2022\u5e74\u3002<\/span><\/p><p><span style=\"color: #000000;\">2. \u570b\u5167\u7814\u8a0e\u6703<\/span><br \/><span style=\"color: #000000;\">(1) \u300a\u5f9e\u9ad8\u96c4\u6253\u72d7\u82f1\u570b\u9818\u4e8b\u9928\u4fdd\u5b58 (2005-2024)\u63a2\u8a0e\u6b77\u53f2\u5efa\u7bc9\u4e2d\u7684\u7269\u8cea\u6027\u8207\u672a\u4f86\u6027\u300b\uff0c2024\u53f0\u7063\u79d1\u6280\u8207\u793e\u6703\u7814\u7a76\u5b78\u6703\u5e74\u6703\uff0c2024\u5e746\u6708\u3002<\/span><br \/><span style=\"color: #000000;\">(2) Exploring the Social Nature of Art Historical Writing: Giorgio Vasari\u2019s Le vite Revisited,\u201d \u85dd\u8853\u793e\u6703\u8207\u6587\u5316\u2500\u25002023\u67f3\u5ddd\u8ad6\u85dd\u570b\u969b\u7814\u8a0e\u6703\uff0c\u53f0\u4e2d\u6559\u80b2\u5927\u5b78\uff0c2023\u5e746\u6708\u3002<\/span><br \/><span style=\"color: #000000;\">(3) \u300a\u4ee5CLIL\u6559\u5b78\u6cd5\u70ba\u85cd\u5716\u7684\u5efa\u7bc9\u85dd\u8853\u901a\u8b58\u8ab2\u7a0b\u6559\u5b78\u8a2d\u8a08\u53ca\u6210\u6548\u7814\u7a76\u300b\uff0c2023\u6c38\u7e8c\u901a\u8b58\u3001\u91ab\u5b78\u4eba\u6587\u66a8STEAM\u6559\u80b2\u570b\u969b\u7814\u8a0e\u6703\u66a8\u81fa\u7063\u901a\u8b58\u6559\u80b2\u806f\u76df\u66a8\u54c1\u8cea\u7b56\u9032\u6703\u5e74\u6703\uff0c2023\u5e746\u6708\u3002<\/span><br \/><span style=\"color: #000000;\">(4) \u201cHistoric Buildings as the Nucleus of Inclusive Cities: Comparative Study of English and Taiwanese Practices,\u201d\u53f0\u7063\u6587\u5316\u8cc7\u7522\u5b78\u67032022\u5e74\u5ea6\u7814\u8a0e\u6703\uff0c2022\u5e7411\u6708\u3002<\/span><br \/><span style=\"color: #000000;\">(5) \u201cProbing the Theatrical Agency of Renaissance Domestic Panel Narratives,\u201d \u53f0\u7063\u897f\u6d0b\u53e4\u5178\u3001\u4e2d\u4e16\u7d00\u66a8\u6587\u85dd\u5fa9\u8208\u5b78\u6703 (TACMRS)\uff0c2022\u5e7410\u6708\u3002<\/span><\/p><p><span style=\"color: #000000;\"><strong>\u8fd13\u5e74\u4e3b\u6301\uff08\u6216\u5171\u540c\u4e3b\u6301\uff09\u4e4b\u570b\u79d1\u6703\u7814\u7a76\u8a08\u756b\uff1a<\/strong><\/span><br \/><span style=\"color: #000000;\">(1) 113-114\u5e74\u5ea6 \u6558\u4e8b\u756b\u4f5c\u70ba\u5f15\u4eba\u5165\u52dd\u7684\u5947\u89c0\uff1a\u5341\u4e94\u4e16\u7d00\u5ac1\u599d\u6ac3\u756b\u677f\u7684\u5e7b\u8996\u611f\u3001\u52d5\u614b\u8207\u5287\u5834\u6027<\/span><br \/><span style=\"color: #000000;\">(2) 111\u5e74\u5ea6 \u54e5\u5fb7\u9918\u7dd2\u6216\u662f\u53e4\u5178\u518d\u751f\uff1f \u8ad6\u7fa9\u5927\u5229\u6587\u85dd\u5fa9\u8208\u4eff\u53e4\u5efa\u7bc9\u4e2d\u7684\u7889\u5821\u5f0f\u6a23\u53ca\u8ecd\u4e8b\u610f\u8c61 (II)<\/span><br \/><span style=\"color: #000000;\">(3) 110\u5e74\u5ea6 \u54e5\u5fb7\u6b98\u9918\u6216\u662f\u53e4\u5178\u518d\u751f? \u8ad6\u7fa9\u5927\u5229\u6587\u85dd\u5fa9\u8208\u4eff\u53e4\u5efa\u7bc9\u4e2d\u7684\u7889\u5821\u5f0f\u6a23\u53ca\u8ecd\u4e8b\u610f\u8c61 (I)<\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\u59d3\u540d \u8d99\u53ef\u537f \u00a0 \u8077\u7b49 \u52a9\u7406\u6559\u6388 \u6700\u9ad8\u5b78\u6b77 \u82f1\u570b\u7d04\u514b\u5927\u5b78\u85dd\u8853\u53f2\u5b78\u7cfb\u535a\u58eb Ph.D., Art History, [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","footnotes":""},"class_list":["post-17570","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/17570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/comments?post=17570"}],"version-history":[{"count":7,"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/17570\/revisions"}],"predecessor-version":[{"id":17960,"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/17570\/revisions\/17960"}],"wp:attachment":[{"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/media?parent=17570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}