{"id":14994,"date":"2024-08-01T15:38:50","date_gmt":"2024-08-01T07:38:50","guid":{"rendered":"https:\/\/www.art.ntnu.edu.tw\/?page_id=14994"},"modified":"2024-08-27T15:07:14","modified_gmt":"2024-08-27T07:07:14","slug":"chuchiunwei","status":"publish","type":"page","link":"https:\/\/www.art.ntnu.edu.tw\/index.php\/chuchiunwei\/","title":{"rendered":"\u9b4f\u7af9\u541b\u5c08\u6848\u52a9\u7406\u6559\u6388\u5b78\u7d93\u6b77\u8cc7\u6599"},"content":{"rendered":"\t\t
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\u59d3\u540d<\/span><\/td>\u9b4f\u7af9\u541b<\/span><\/td>\u00a0<\/td><\/tr>
\u8077\u7b49<\/span><\/td>\u5c08\u6848\u52a9\u7406\u6559\u6388<\/span><\/td><\/tr>
\u6700\u9ad8\u5b78\u6b77<\/span><\/td>

\u7f8e\u570b\u7d10\u7d04\u5e02\u7acb\u5927\u5b78\u85dd\u8853\u53f2\u535a\u58eb<\/span><\/p>

Ph.D., Art History, The Graduate Center of The City University of New York<\/span><\/p><\/td><\/tr>

\u7814\u7a76\u5c08\u9577<\/span><\/td>

1.\u7576\u4ee3\u85dd\u8853\u4e2d\u7684\u5168\u7403\u5316\u3001\u53cd\u5168\u7403\u5316\u3001\u5728\u5730\u6587\u5316\u8207\u8eab\u5206\u8a8d\u540c\u8b70\u984c<\/span><\/p>

2.\u5f8c\u570b\u65cf\u6027\u8207\u8de8\u6587\u5316\u8b70\u984c<\/span><\/p>

3.\u5730\u65b9\u7f8e\u8853\u9928\u8207\u85dd\u8853\u53f2<\/span><\/p>

Contemporary Art and Globalization; Cross-Cultural Studies; Participatory Art and Spectatorship; Museums, Art Festivals and Art History; Identity politics; Nationalism and Post-nationality<\/span><\/p><\/td><\/tr>

\u96fb\u8a71<\/span><\/td>02-7749-3063<\/span><\/td><\/tr>
Email<\/span><\/td>chuchiunwei@ntnu.edu.tw<\/span><\/td><\/tr>
\u7814\u7a76<\/span><\/td>

\u51fa\u7248 Publications<\/strong><\/span><\/p>

2025 \u3008\u8857\u982d\u651d\u5f71\u7684\u6f2b\u904a\u8005\u2014\u2014\u8a31\u84bc\u6fa4\u651d \u3009\uff0c \u300a\u81fa\u7063\u651d\u5f71\u5bb6\u7cfb\u5217\u53e2\u66f8\uff1a\u8a31\u84bc\u6fa4\u300b\uff0c\u81fa\u7063\u651d\u5f71\u6587\u5316\u4e2d\u5fc3\uff08\u9810\u5b9a2025\u5e74\u51fa\u7248\uff09<\/span>
2024 \u3008\u5f9e\u300a\u65b0\u81ea\u7531\u795e\u50cf\u300b\u5230\u300a\u6e90\u300b\uff1a\u89e3\u56b4\u5f8c\u9ad8\u96c4\u96d5\u5851\u516c\u5171\u6027\u7684\u7a7a\u7f3a\u8207\u8ffd\u5c0b\u3009\uff0c\u300a\u8b8a\u52d5\u7684\u754c\u57df\uff1a\u89e3\u56b4\u5f8c\u81fa\u7063\u96d5\u5851\u5c08\u984c\u7814\u7a76 I\u300b\u8ad6\u6587\u96c6\u3002\uff08\u9810\u5b9a2024\u4e0b\u534a\u5e74\u51fa\u7248\uff09<\/span>
2023 Nov \u3008\u96b1\u8af1\u7684\u6279\u5224\uff1a\u5f9e\u300c\u624b\u5b8c\u6210\u7684\u8a71\u2014\u2014\u6642\u5c40\u4e0b\u7684\u674e\u77f3\u6a35\u4eba\u7269\u756b\u300d\u7279\u5c55\u8ad6\u674e\u77f3\u6a35\u5beb\u5be6\u7fa4\u50cf\u7814\u7a76\u7684\u73fe\u6cc1\u3009\uff0c\u300a\u81fa\u7063\u7f8e\u8853\u300b126\u671f\uff0c\u9801150-157\uff0c\u570b\u7acb\u81fa\u7063\u7f8e\u8853\u9928\u3002<\/span>
\u201cCovert Critiques: A Discussion of the Scholarship on Lee Shih-chiao\u2019s Realist Group Portraits in Response to the Exhibition \u201cThe Unfinished Words\u201d at the National 228 Memorial Museum,\u201d Journal of National Taiwan Museum of Fine Arts<\/em> Vol. 126., 150-157.<\/span>
2022 Sept. \u201cGlobalism and Identity in Taiwanese Contemporary Art, 1978-2009,\u201d Ph.D. dissertation, Art History Program, The Graduate Center of The City University of New York.<\/span>
2022 April \u984f\u5a1f\u82f1\u3001\u8521\u5bb6\u4e18\u3001\u9ec3\u742a\u60e0\u3001\u694a\u6df3\u5afb\u3001\u9b4f\u7af9\u541b\u7b49\u8457\uff0c\u300a\u81fa\u7063\u7f8e\u8853\u5169\u767e\u5e74\uff08\u4e0a\uff09\uff1a\u6469\u767b\u6642\u4ee3\u300b\u548c\u300a\u81fa\u7063\u7f8e\u8853\u5169\u767e\u5e74\uff08\u4e0b\uff09\uff1a\u5cf6\u5dbc\u547c\u559a\u300b\uff0c\u53f0\u5317\u5e02\uff1a\u6625\u5c71\u51fa\u7248\u793e\uff0c2022\u3002<\/span>
Chuan-Ying Yen, Chia-Chiu Tsai, Chi-Hui Huang, Chun-Hsien Yang, Chu-Chiun Wei, et al., Two Centuries of Taiwanese Fine Arts (Taipei, Taiwan: SpringHill, 2022). <\/span>
\uff0a\u7372\u7b2c47\u5c46\u91d1\u9f0e\u734e Best Non-fiction of the 47th Golden Tripod Award for Publication<\/span><\/p>

2018 March \u201cThe Aesthetics of the Multitude in Chen Chieh-Jen\u2019s Lingchi: Echoes of a Historical Photograph (2002) \u2013 A Genealogy.\u201d Journal of Chinese Contemporary Art 5(1):61-76.<\/span>
2014 December \u201cDangdai: Periodization and Multiple Temporalities in Taiwanese Contemporary Art.\u201d Proceedings of the International Conference on Jie (Boundaries): Contemporary Art from Taiwan at Herbert F. Johnson Museum of Fine Art, September 6th 2014 (Taichung, Taiwan: National Taiwan Museum of Fine Arts, 2014).<\/span>
2013 July \u201cFrom National Art to Critical Globalism: The Politics and Curatorial Strategies of the Taiwan Pavilion at the Venice Biennale.\u201d Third Text 27 no.4: 470-484.<\/span><\/p>

\u7814\u8a0e\u6703\u8ad6\u6587 Conference Papers<\/strong><\/span><\/p>

2022 March 24-27 \u201cHealing the Collective Wounds: Shamanism and Dondon Hounwm\u2019s Art,\u201d 2022 AAS The Association for Asian Studies Annual Conference, Honolulu, Hawai\u2019i & Online.<\/span>
2019 Feb. 13-16 \u201cHospitality and Cosmopolitanism in Lee Mingwei\u2019s Art,\u201d 2019 Annual Conference of College Art Association, New York City, New York, USA<\/span>
2018 Oct. 25-27 \u201cArt as Hospitality and Cosmopolitan Imagination: Lee Mingwei\u2019s Participatory Art,\u201d NORDIK XII \u2013 The 12th Triennial Conference of Nordic Association for Art Historians, University of Copenhagen, Demark.<\/span>
2017 March 25-26 \u201cTehching Hsieh: Becoming-Exile,\u201d 1st Annual Conference of Taiwan Art History Association, National Taiwan University of Arts, New Taipei City, Taiwan<\/span>
2014 September \u201cDangdai: Periodization and Multiple Temporalities in Taiwanese Contemporary Art,\u201d Symposium coinciding with the opening of the exhibition \u201cJie (Boundaries): Contemporary Art from Taiwan,\u201d Herbert F. Johnson Museum of Fine Art, Cornell University, Ithaca, NY, USA<\/span>
2012 June 8-9 \u201cReenacting the Imprisoned Body: Tehching Hsieh\u2019s One Year Performance: Cage Piece (1978-1979) and Taiwan\u2019s Martial Law Era,\u201d The 18th Annual Conference of North American Taiwan Studies Association, Indiana University-Bloomington Maurer School of Law, IN, USA<\/span>
2012 September 10-14 \u201cThe Politics of the Biennial: from National Art to Globalism, Curatorial Strategies of the Taiwan Pavilion at the Venice Biennale and the Taipei Biennial,\u201d Session: Globalization and Asian Art, Art Criticism and the Forces of Globalization, Liverpool, Winchester School of Art and Tate Liverpool, UK<\/span>
2012 October 17-20 \u201cRestaging the Avant-Garde: Subjektive Photography, 1951-1958,\u201d Session: German Art since 1945 in Context, The 68th Annual Southeastern College Art Conference, Meredith College, Durham, North Carolina, USA<\/span>
2012 November 16-17 \u201cContextualizing the Performance art of Tehching Hsieh and Chen Chieh-Jen in Taiwan\u2019s Martial Law Era,\u201d (In)appropriated Bodies, Cornell University Annual History of Art Graduate Student Symposium, Ithaca, NY, USA<\/span><\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\u59d3\u540d \u9b4f\u7af9\u541b \u00a0 \u8077\u7b49 \u5c08\u6848\u52a9\u7406\u6559\u6388 \u6700\u9ad8\u5b78\u6b77 \u7f8e\u570b\u7d10\u7d04\u5e02\u7acb\u5927\u5b78\u85dd\u8853\u53f2\u535a\u58eb Ph.D., Art Histor […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","footnotes":""},"class_list":["post-14994","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/14994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/comments?post=14994"}],"version-history":[{"count":30,"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/14994\/revisions"}],"predecessor-version":[{"id":16472,"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/14994\/revisions\/16472"}],"wp:attachment":[{"href":"https:\/\/www.art.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/media?parent=14994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}